Last night, convened a talk about the life and work of James Bishop at Timothy Taylor Gallery in TriBeCa. The room was packed with an audience full of what most would call the best painters and writers in NYC. Bishop, a painter straddling France and the USA, painting during what was considered the demise of painting, absorbing the dialog of Minimalism and Primary Structures and painting anyway. It was very interesting to hear the commentary from luminaries such as Molly Warnock, Amy Sillman and David Reed.
I took notes.
Last Saturday, I attended a conversation between Hal Foster and Blake Rayne at Miguel Abreu Gallery in the Lower East Side. The exhibition titled Reserves" comprised of paintings, sculptures and installation of course was fodder for the conversation, but much of it focused on Rayne's paintings. You can find images in the link. Rayne's practice involves a highly articulated breakdown of his painting process, much of which is couched in art theory that ripened, or over-ripened in the early aughts. Again, follow the link to the press release which is descriptive.
It seemed to me that the artist was such a student of thinkers like the very famous Hal Foster, that there wasn't much room for Foster to weigh into the dialogue. At one perhaps pivotal moment, Foster remarked "For a minute there, you sound like a really smart Modernist... and that's MY job!" My notes in red and green denoting Foster and Rayne respectively, show the ratio clearly.
I took notes, although they don't probably capture the drama of the evening. The talk was recorded, and perhaps the gallery might make it available to the public someday, someway.